The impact of the week on each of the 12 artists, however, will be more permanent.
Many of us were sleeping 2 to a bed, the rest on inflatable mattresses and couches, all 12 of us negotiating just 3 1/2 bathrooms. But despite the tight quarters, the trip was nothing if not organized, mainly through the efforts of Alia, and with help from Diane, who between the two of them had anticipated every conceivable need over the months leading up to the trip. Cooking and cleaning duties had been assigned in advance, massive grocery runs were organized the first days, an improvised but elegant method for reimbursing shared expenses was soon devised by tacking envelopes to the bulletin board. Locations for plein air painting had been scouted, models had been scheduled. Everything was set up for us to work!Before the trip, most of us only knew 1 or 2 of the others. The idea had started among the three of us who founded the WPW blog, Alia, Diane and myself, and the two artist bloggers Cindy and Lisa of ArtStudioSecrets.com. The five of us then each nominated other artists we knew and admired, and the group quickly took shape. However at the last minute we were all disappointed when life events conspired to prevent Lisa’s attendance. (In the end, we were an even dozen, and next year we are determined that Lisa will make us a baker’s dozen!)

Despite the daunting prospects of travelling with plein air gear, navigating a high-profile opening at Robert Lange, and then embarking on a “Real World” -style living situation, we set a single goal: To make painting the number one priority of the week, putting aside all distractions. And as soon as we started working with a model at 9am our first morning at the house, the collective energy began to carry us all.Mia was the first one out painting on the beach, and banged out an oil sketch that set the bar high for the rest of us. For the rest of the week, day trips to surrounding marshes, parks, historic cemeteries, botanical gardens, Charleston’s French Quarter, and the lovely home of artist Shannon Runquist, kept us more than busy during the day. We then hired models in most the evenings, so we were often painting until 10pm. Several of us tried our hand at cooking for 12, and we did a good job of feasting in addition to painting.
As artists, we work alone most the day, and our solitude is necessary and closely guarded. But peaceful, fortifying solitude can easily slip into lonely isolation. As women, there are both evolutionary and spiritual reasons it is necessary to our survival to connect with other women, to find common ground and form deep bonds of understanding, to navigate conflicts and find abundance where we thought there was only scarcity. To cheer for our competition and feel true joy in their successes.I do know that this week for me was so deeply satisfying, so soul-nourishing, that I am sure in my bones that this kind of connection with sister artists is essential.
To Alia, Diane, Cindy, Mia, Alex, Cathy, Linda, Kate, Stephanie, Terry, and Rachel (and to Lisa who could not come but whom we thought of often):Thank you!!!
Thank you all, for catching the spirit of the trip and bringing your energy and enthusiasm, for being flexible with your needs and generous with your help and advice, and most of all for being so willing to trust us and to reveal yourselves.
UPDATE:
Several of the WPW Expedition group have now blogged about the trip, you can read their posts here

























