For a decade I recorded every aspect of my artistic development, almost every day. This original version of the blog records the first 4 years that I was introduced to Classical Realism. I consider these to be the most formative years of my art career.
Monday, July 07, 2008
Wax Paper I
I began with a detailed contour drawing the same size as the final painting, and then transferred the drawing to the panel:
It was so much easier to do the underpainting having solved many of the drawing issues already. I used brown and black, and just used paint thinner to lift the paint off again for the lights and whites:
Stage 2 of the underpainting, still using just brown and black and thinner:
A first pass of basic color. I was worried at this point that I wouldn't be able to capture the feel of the wax paper's transparency, but I felt better when I refined the lower right corner of the wax paper shape and started getting a feel for it:
This is where I missed photographing a few stages. I worked especially hard on the ellipse shape of the rim of the dish, it's so easy to make a painted rim look distorted:
Now that the pitcher and dish were complete, I spent the last several days of work just focused on the wax paper, moving from lower right up to the top:
The completed painting:
NEWS: Two July Shows
I currently have 18 paintings on display right now. Nine are at my eye doctor's office, Dr Marcus, who likes to show a rotating series of art on his waiting room walls. My work will be on display through July and August, and the office is located at:
512 Westline Drive in Alameda, CA
My second show is at Frank Bette Gallery, also in Alameda, and there will be an opening with wine and refreshments this Friday July 11. I'm honored to have had all 9 paintings I submitted accepted to their group show "Still, Life". Frank Bette is located at
1601 Paru Street at Lincoln Ave, Alameda, CA
Oh and an update on the Stow Lake landscape I started last month.... due to the fog and also the smoke from forest fires, there hasn't been a clear sunny day in San Francisco for a month! Even when it is mainly sunny the light has a disturbing filtered feel to it, like we are living in air the color of weak tea. I'd like to paint outside again, but summer in San Francisco may not be the season. We usually have our nicest days in September, oddly enough.
Subscribe to:
Posts (Atom)